|

| |

Those file marked with
are MP3
files, the rest are midi files. These are files that make use the
synthesizer capabilities of the sound card in your computer. the wide
variety of cards on the market it is impossible to predict how these
will sound on any given system.
Suite Espanola (Spanish
Suite) Op.47
-
Asturias (Leyanda (Legend))
|
Usually heard on Guitar, however
this is original Piano Version. |
He was Spanish, (1860, 1909),
that's all I know about him.... sorry. |
Esquisses (Excerpts)
Op.63
-
La Staccatissimo
|
Piano Solo |
Who is Alkan?. To summarise he
was a contemporary of Chopin (next door neighbours). A
phenomenal pianist with an imaginative compositional style. |
|
Greensleeves |
Flute, Oboe, Tambourine, Lute and
Hurdy Gurdy. |
An arrangement (yes... by me) of
this well known tune to sound a bit like a band of roving
minstrels. A school of thought believes that Henry the VIII'th
originally wrote it. |
|
Moonlight Sonata (Score) |
Orchestral Realisation |
Slightly more than just and
orchestration. The fact of having more than two hands available
was taken advantage of when I arranged it. |
| Bagatelles Op.119
|
Piano Solo |
Short and sweet |
|
Choral Fantasia Op.80 |
Piano, Orchestra and Choir.
The more astute of you will realise that the
main tune sounds rather similar to the "Ode to Joy" theme. Many
consider this to be a a try out for the Choral Symphony. Why
waste a good tune..? |
This is the Maestro showing off a
bit. A long very difficult piano solo, giving way to a piano
concerto type movement, with lots of showy piano passages,
culminating with the choir entering around 2 or 3 minutes from
the end. A great work designed to be a crowd pleaser!. |
Children's Corner
-
The Little Shepherd
|
Piano Solo |
One of a set of short pieces
(No.6 is the Gollywogs Cakewalk). It isn't sure whether it was
written for children to play, or whether it was about children.
|
|
Gypsy Rondo |
Piano arrangement of a String
Quartet movement |
Fast and lively |
| Studies Op.46
|
Melodic Piano Studies |
Not as banal as finger exercises
and a lot easier to perform than concert studies. All in all
quiet fun to play. |
Midsummer
Night's Dream
-
Scherzo
|
Full Orchestra |
A light, bouncy,
witty piece with echoes of Bottom |
A Musical
Joke (K.522).
(The Village Musicians or Divertimento in F)
-
Allegro
-
Minuet
-
Adagio Cantabile
-
Presto (Horse of the Year Show Theme)
|
String Orchestra and
Two Horns
This piece's main claim to fame and British
public awareness, is that the Presto (pepped up a bit) was used
as the theme to "The Horse of the Year Show". |
This is Mozart taking
the mick. The banal harmonies, the wrong notes, the bad horn
writing, the totally unnecessary (and of questionable quality)
cadenza plus an ending Stravinsky would have been proud of. The
only problem is, because he was such a genius, even when he
tries to sound bad, it still sounds absolutely brilliant. |
|
Night on a Bare Mountain
or, if you are American..
Night on Bald Mountain |
Full Orchestra
Depicting a wild night of demonic dancing,
ultimately dispelled by first rays of dawn. |
Actually,
Rimsky-Korsakov wrote this piece after Mussorgsky had tried four
times to do it. To R-K's ears, however, it was too rough and
ready so he decided to do it himself. This version we all know
and love departs from Mussorgsky's original ideas after around 2
minutes or so. |
|
Piano Sonata No.3 Op.28 |
Piano Solo |
|
Piano
Concerto No.2 Op.16
-
Scherzo
|
Piano and Orchestra |
A brilliant but
difficult work. This is just over 2 minutes of pianistic hell. |
| Preludes Op.23
|
Piano Solo |
The preludes aren't that well
known, which is a shame, because they contain some brilliant
music. |
| Preludes Op.32
|
Piano Solo |
|
|
Hallali |
Piano Solo |
A little known work.
Hasn't even got an opus number. |
The Carnival of Animals
-
Introduction and Royal March of the Lion
-
Hens and Cockerels
-
Wild Asses
-
Tortoises
-
The Elephant
-
Kangaroos
-
Aquarium
-
Long-eared Persons
-
The Cuckoo in the Forest Depths
-
Aviary
-
Pianists (very strange animals)
-
Fossils
-
The Swan
-
Finale
|
Two Pianos, Flute,
Clarinet, Xylophone, Glass Harmonica and strings. |
This, popular work
was written 1886 but was not published until he died in 1921.
Apparently he wished to be seen as a "serious" composer and did
not wish to appear "shallow" at this blatantly good humoured
work. |
Danse Macabre Op.40 |
Full Orchestra
This is
based upon a poem by Henri Cazalis, depicting an old French
superstition.
It starts
like so...
Zig, zig, zig, Death in cadence, Striking a tomb with his heel, Death at midnight plays a dance-tune.....,
|
When first premiered, it didn’t
go down well. Audiences were quite unsettled by its disturbing,
yet innovative, sound, It gained popularity when
Franz Liszt made an over the top arrangement for Piano. Since
then it has gone from strength to strength to strength, being
used as background music for many films and for course "Jonathan
Creek" |
Unfinished
Symphony (No.8 in B minor)
-
Allegro Moderato
- Still under construction
|
Orchestral
I've always felt others take this work too
slowly and dreamily. He'd just found out he was very ill and
there is a sense of anguish about this piece. |
Nobody really knows
why he never finished this masterpiece. Theory's range from "He
did, but a friend lost the score", to "He didn't, because he
felt it was perfect the way it was" |
|
Knight Rupert |
Piano Solo |
A short children's
piece. Not sure where it's from. |
Symphony
No.1 Op.10
-
Scherzo
|
Full Orchestra |
Written "in the
classroom" when still a student. This scherzo is full of the
biting wit that so pervades his music. |
|
Aphorisms Op.13 (1927)
-
Recitative
-
Serenade
-
Nocturne
-
Elegy
-
Funeral March
-
Etude
-
Dance of Death
-
Canon
-
Legend
-
Lullaby
|
Piano Solo |
When Shostakovich
first played these to his former tutor, he just couldn't make
head or tail of it. Not surprisingly Shostakovich didn't call
again. The Soviet authorities regard these pieces as the start
of him going off the rails.
Keep an open mind, for he doesn't do anything
you might expect from the titles. A work of true genius,
apparently written in a couple of days. |
|
To be informed of updates
webmaster@tonymatthews.org
|